{"id":1080,"date":"2025-02-28T20:00:14","date_gmt":"2025-02-28T19:00:14","guid":{"rendered":"http:\/\/s968974040.online.de\/MUSICAE\/?p=1080"},"modified":"2026-03-24T20:19:27","modified_gmt":"2026-03-24T19:19:27","slug":"rolf-lislevand-liber-primus28-februar-2026","status":"publish","type":"post","link":"http:\/\/s968974040.online.de\/MUSICAE\/?p=1080","title":{"rendered":"<b>Rolf Lislevand<\/b> LIBER PRIMUS<br>28. Februar 2026"},"content":{"rendered":"\n<div class=\"wp-block-kenta-blocks-cover alignfull kb-cover-3b203fa1 kb-cover kb-cover-has-overlay\"><div class=\"kb-cover-inner-container\">\n<div class=\"wp-block-kenta-blocks-section kb-section-c0cbe697 kb-section kb-section-has-overlay\"><div class=\"kb-section-container\">\n<div class=\"wp-block-kenta-blocks-column kb-column-wrapper kb-column-wrapper-f64453b1\"><div class=\"kb-column kb-column-f64453b1\"><div class=\"kb-column-content\">\n<div class=\"wp-block-kenta-blocks-heading kb-heading kb-heading-h3 kb-heading-50269518 kenta-scroll-reveal\"><h3 class=\"\"><strong><strong><strong>28. Februar 2026, 18 Uhr<br>Johannissaal, Schlo\u00df Nymphenburg, M\u00fcnchen<\/strong><\/strong><\/strong><\/h3><\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:48%\">\n<p class=\"has-large-font-size\">Tickets erh\u00e4ltlich bei MUSICA\u00c8 direkt <br>oder an der Abendkasse<\/p>\n\n\n\n<p class=\"has-kenta-primary-color has-text-color has-link-color has-xx-large-font-size wp-elements-6e092b6c4d099e2626801329d5d12f73\"><b>LIBER PRIMUS<\/b><\/p>\n\n\n\n<p><strong>Rolf Lislevand   <\/strong>Barockgitarre, Erzlaute <\/p>\n\n\n\n<p><\/p>\n\n\n\n<p>Tickets \u00e0 25 Euro \/ 15 Euro (erm.)<br>erh\u00e4ltlich bei MUSICA\u00c8 <br>via <strong>mail@musicae.eu<\/strong> oder <strong>+49 89 5489 4949<\/strong><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"646\" src=\"http:\/\/s968974040.online.de\/MUSICAE\/wp-content\/uploads\/2025\/02\/lislevand-neu-2026-1024x646.jpg\" alt=\"\" class=\"wp-image-1083\" srcset=\"http:\/\/s968974040.online.de\/MUSICAE\/wp-content\/uploads\/2025\/02\/lislevand-neu-2026-1024x646.jpg 1024w, http:\/\/s968974040.online.de\/MUSICAE\/wp-content\/uploads\/2025\/02\/lislevand-neu-2026-300x189.jpg 300w, http:\/\/s968974040.online.de\/MUSICAE\/wp-content\/uploads\/2025\/02\/lislevand-neu-2026-768x485.jpg 768w, http:\/\/s968974040.online.de\/MUSICAE\/wp-content\/uploads\/2025\/02\/lislevand-neu-2026.jpg 1095w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-kenta-blocks-heading kb-heading kb-heading-h4 kb-heading-14baebc1 kenta-scroll-reveal\"><h4 class=\"\"><strong>Programm<\/strong><\/h4><\/div>\n\n\n\n<p style=\"line-height:1\">Werke des Fr\u00fchbarock und Improvisationen<\/p>\n\n\n\n<p>Der Lautenvirtuose <strong>Rolf Lislevand<\/strong> widmet sich einer Barockliteratur von erstaunlicher K\u00fchnheit und Innovationskraft. Im Zentrum stehen Werke f\u00fcr Erzlaute und Chitarrone aus dem 17. Jahrhundert \u2013 Kompositionen, die weit mehr sind als historisches Klangmaterial, sondern Ausdruck eines musikalischen Aufbruchs. In eindrucksvollen Solo-Darbietungen legt der norwegische Musiker den progressiven Geist dieser Musik frei und macht h\u00f6rbar, wie experimentierfreudig und vision\u00e4r die Lautenkunst jener Zeit war.<\/p>\n\n\n\n<p>Lislevand erkundet dabei insbesondere das Schaffen italienischer Meister wie <strong>Johann Hieronymus Kapsberger<\/strong>, <strong>Giovanni Paolo Foscarini&nbsp;<\/strong>und <strong>Bernardo Gianoncelli<\/strong>, deren Werke die Grenzen traditioneller Formen und Spielweisen bewusst \u00fcberschreiten. Seine Interpretationen zeichnen sich durch eine historisch informierte, zugleich aber lebendige Freiheit aus: Ornamentik, rhythmische Flexibilit\u00e4t und improvisatorische Elemente werden nicht rekonstruiert, sondern als selbstverst\u00e4ndlicher Teil der musikalischen Sprache neu belebt.<\/p>\n\n\n\n<p style=\"line-height:1\"><\/p>\n<\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-kenta-blocks-column kb-column-wrapper kb-column-wrapper-d0abd39b\"><div class=\"kb-column kb-column-d0abd39b\"><div class=\"kb-column-content\"><\/div><\/div><\/div>\n<\/div><div data-position=\"bottom\" data-negative=\"false\" class=\"kb-shape-divider\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1000 100\" preserveAspectRatio=\"none\">\n\t<path class=\"wp-moose-shape-fill\" d=\"M0,6V0h1000v100L0,6z\"\/>\n<\/svg><\/div><\/div>\n<\/div><div data-position=\"top\" data-negative=\"false\" class=\"kb-shape-divider\"><svg xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 1000 100\" preserveAspectRatio=\"none\">\n\t<path class=\"wp-moose-shape-fill\" d=\"M0,6V0h1000v100L0,6z\"\/>\n<\/svg><\/div><\/div>\n\n\n\n<p><br><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":1083,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-container-style":"default","site-container-layout":"default","site-sidebar-layout":"default","site-transparent-header":"default","disable-article-header":"default","disable-site-header":"default","disable-site-footer":"default","disable-content-area-spacing":"default","footnotes":""},"categories":[45],"tags":[],"class_list":["post-1080","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-konzerte-2026"],"_links":{"self":[{"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=\/wp\/v2\/posts\/1080","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1080"}],"version-history":[{"count":11,"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=\/wp\/v2\/posts\/1080\/revisions"}],"predecessor-version":[{"id":1098,"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=\/wp\/v2\/posts\/1080\/revisions\/1098"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=\/wp\/v2\/media\/1083"}],"wp:attachment":[{"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1080"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1080"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/s968974040.online.de\/MUSICAE\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1080"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}